hi!

My practice as a writer has been developing towards audio work, and I have been more and more interested in the medium of radio as a platform for showing my own work, and also in radio’s possible uses as a tool of social empowerment. I am wishing to understand how radio is being used by artists and activists to create spaces that function as community centres, and how radio can be used to facilitate well being for individuals and in localities.
I will need to define what I understand by ‘community’, and also clarify which model of radio I will be studying.

I will be avoiding an ethnographic definition of community, as that is a life times’ work in itself- instead I will work around the ideas and writings of radio and audio artists (Gregory Whitehead, Allen Weiss, Charles Bernstein) and also other writers, artists and activists that offer definitions of community movements that I see Soundart radio as aligning itself alongside (Joan Retallack’s ‘dialogic community’, bell hooks’ ‘communities of resistance’, Felix Guattari’s ‘free radio’ etc.).


Radio for this CEP is a small local public broadcasting venture called Soundart Radio 102.5 FM, which broadcasts under a community license- it is not run for political or commercial gain, it is run by and on behalf of its listening community, and represents both the community of its geographical area, and also radio as a living and historic ‘hot’ media with a international community of listeners, producers, makers and enthusiasts. I will be seeking to understand how Soundart radio fulfils the role of community /ies, and how it serves the desires of said community /ies, and will be reflecting upon and monitoring my own interaction with these ideas as a individual participating, listening and producing, and process this into both audio and writing documentations.

Broadcasting can be considered as a mirror to the way we live, and I am interested in programming and stations that offer alternative and considered options within their scheduling.

Radio art requires a consistent body of research and practice that concentrates on sound at its point of signification, not a literal reading that will collapse into cliché, but a sensitivity to the ways in which meaning in sound circulates, dissipates and re-emerges. The development of an autonomous body of theory and practice regarding aural referentuality- in particular as it relates to radio and electronic media- will contribute to a better understanding of the role that radio art plays in the articulation of social and cultural ideas. (Lander,D. 1994, Radiocastings: musings on radio and art in Radio Rethink



The two community models I will be focusing on are individuals sharing a geographically related relationship within the area of FM reception, and also communities physically distant but still communing /communicating, thorough both FM and Internet radio. I will be looking the social benefits of participation in the arts:

Personal: growth in confidence, creative and transferable skills, social lives are improved through friendships, enjoyment and involvement in the community. In a wider social context: confidence of minority and marginalised groups is gained, promoting social cohesion. There is empowerment of a community to be involved in local affairs, a strengthened commitment to place and an ability to tackle problems. Provides the opportunity to take positive risks, contribute to education and personal and social change (Matarasso, F, 1997: ‘Use or Ornament? Social impact of participation in the arts’ p79-81).



I have secured a practical intern-ship at Soundart radio from September through till December 2010. This community radio station's location, programming and programmers, its geographical area, it's international and local outreach projects and its ethos and manifesto are all relevant to my enquiry.
My particular artistic interest lies with

Transmissions that Publicise the Private, or through an opening of dialogic space create new energy and directions within a social order.

Programming that re-instates the authority of chaos and chance, within the context of a functioning community.

Broadcasting that foregrounds and celebrates ambiguity and individuality, supported by structures of acceptance and value.

Work that transforms attention into action and revitalizes languages’ and radio’s uses in the public sphere.


I intend to immerse myself in the life of this small radio station for my time there.

Monday 4 October 2010

slowly does it

sslloowwssunnddaayy is up and running, i hope, in almost self generating fashion now- with the help of Soundartradio staff, most all of the dates running through till the winter brake have filled up with an eclectic mix of noisecraft and soundart from diverse sources... Such interesting approaches to sound, and art, i am falling deeper in love with this kind of work... i have set up a facebook group, and am trying to win interest and contributions from as many angles as possible- it is great to have a space that fulfils a unusual demographic- longer work is catered for and strange areas can be explored, such the continuous repeat, the max patch, the super stretch. ........... . . . . . . . . . . . . . . . .
Uta and Christy's work was interesting- I liked its innocence and sunday-ish relaxed vibe- two artists, chatting, relating, sharing dreams and music and ideas on radio,perormance, installation, music, the body, public and private life. A strange relay- live work reflecting on satic art and live broadcasts, recorded, and broadcast.... Awen was very happy- Uta went out with her father for a few years, and she was very happy to hear Uti chatting away from the radio in our kitchen :-)

initial Totnes Town Coucil proposal....

radio in the community....
I proposed to record and broadcast the Totnes Town Council monthly public meetings on soundartradio today, and had the motion raised, seconded, and carried through on a majority vote at tonights meeting :-) This is a personal and political move- I have lived in (and loved) this small town for so many years, and want to be part of a solution to its social issues- and use whatever tools i can to promote direct improvements. Publicising these meetings will result in a larger audience to the direct workings of the politic that effects the lives of all those who live local to here- in England official governing bodies are often removed form those they represent - for example, the council meeting room can only hold 30 people ( of whom 16 are councillors) and the meetings are held between 7 and 9 pm, which for a town of 26 thousand people, a large percentage of whom have young families to feed and put to bed at this time, is not realistically democratic. This radio broadcast should present a way for locals to hear and become informed on political developments and will hopefully result in a evener distribution of power, and keener sense of social justice regarding issues- its like shining the light of accountability into the meetings, and making voters aware of how decisions are made on thier behalf.... Obviously, the town council have to work under the disrict council, who work under the reginal council, who work under government, but small local radio starts small and local, and solutions tend to come from grass roots up...
I had to sit by my step mom who kept having whispered conversations and munching bonbons through out, so will have to work on tech requirements to ensure a useable sound quality...